Extra Casting

Casting call in Utah pays $200 per person

Casting directors are seeking the following for scenes shooting in the Salt Lake City area. Must be available for one day next week, between the 24th-28th of August. The pay is $200.00 per person for a 4-6 hour day. Please send a picture(selfie is fine), head shot, body shot, age, height, and sizes. Please include your phone number. Submissions must be in by tomorrow, Wednesday August 19th at 4:00 PM.

If you are putting in for the family, please take a family picture(you do not need to do separate pictures.)

Piñata Party Scene:

• 1 mom Latina (30-45) holding the piñata

Grandma's House Scene:

• A Grandma 70-85 ish (Caucasian)
• A Small Family 4-5 people (Caucasian)
• Relative 1 -Uncle 30-40 (Caucasian)
• Relative 2 -Aunt 30-50 (Latino) could be a parent of one of our kids from the morning

Couple in Convertible Scene:

• Attractive couple 25-35 yrs old.

Please email your submission to the following:

gminkevitch@gmail.com.

Casting call for 'Independence Day Forever: Part I' featured roles

The feature film "Independence Day Forever: Part I" is now officially in production, and the film needs featured extras to appear in a "Moon Base" scene. Electric Entertainment and Centropolis Entertainment will be filming these scenes for "Independence Day Forever" in June, 2015 in New Mexico. The featured roles and extras casting call details are posted below. To be considered, all actors, extras, and crew members must have legal eligibility to work in New Mexico.

Independence Day Forever takes place twenty years after USAF Captain Steven Hiller and satellite technician David Levinson flew a repaired alien attacker vessel into the mothership and introduced a computer virus, planted a nuclear missile on board, and ultimately allowed for the defeat of the alien invaders. But before the aliens were completely destroyed, they were able to send out a distress call that took 15 years to travel across the vast distance of space to the alien planet. Now, once again traveling through wormholes, the extraterrestrial invaders are back to launch a new second wave of attacks. Although earthlings have spent the last 15 years since the botched invasion using the alien tech for our own advancement, the extraterrestrial invaders are still far more advanced and much better prepared this time around.

Starring in Independence Day Forever is Jessie Usher playing the role of Captain Steven Hiller's step son Dylan Dubrow, who was a small boy in the first film (played by Ross Bagley, who was nominated for a Young Artist Award for the role). Jessie Usher is best known for his role as Cam Calloway on the Starz! television series Survivor's Remorse. Also starring in Independence Day Forever is People's Choice Awards winner Liam Hemsworth, Young Artist Awards Joey King, Golden Globe Award nominee Sela Ward, Saturn Award nominee Charlotte Gainsbourg, and Maika Monroe. Returning in their roles from "Independence Day" is Academy Award nominee Jeff Goldblum, Saturn Award nominee Bill Pullman, two-time BET Awards nominee Vivica A. Fox, Academy Award nominee Judd Hirsch, and Saturn Award nominee Brent Spiner.

Saturn Award winner Roland Emmerich will direct Independence Day Forever from an original screenplay written by Carter Blanchard. Electric Entertainment President Dean Devlin will produce along with BMI Film & TV Awards winner Harald Kloser and Roland Emmerich. Roland Emmerich's sister Ute Emmerich will executive produce under the banner of their production company Centropolis Entertainment. Twentieth Century Fox Film Corporation will handle theatrical distribution, while DreamWorks Distribution will handle all media. Independence Day Forever is scheduled to be released in theaters on Jun 24, 2016. The original Independence Day film grossed over $817 million at the box office worldwide.

'Independence Day Forever' Casting Call

The director Roland Emmerich is accepting submissions for the following roles to work as fully paid featured extras in the Albuquerque, NM area in June, 2015. No experience is required. You must be able to make yourself available to work locally, no exceptions. Will be shooting at the Albuquerque Studios.

• MOON BASE TECHS - Males and females, any ethnicity, 21-35 years of age, clean-cut, conservative, reasonably attractive, scientist & engineer types. FEATURED EXTRAS.

• MOON BASE GROUND CREW - Males and females, any ethnicity, 21-35 years of age, clean-cut, conservative, reasonably attractive, scientist & engineer types. FEATURED EXTRAS.

• MOON BASE PILOTS - Males and females, any ethnicity, age range 21-29, clean-cut, good looking, fit, athletic, confident. FEATURED EXTRAS.

• RUSSIAN ASTRONAUTS & RUSSIAN SPACE CREW - Male and female, Caucasian. RUSSIAN and/or Eastern European, age range 19-50, clean-cut, conservative, reasonably attractive, scientist & engineer types. (*Please specify if you speak Russian and your Russian/Eastern European ethnic origin)

All men MUST be willing to allow a short or military style haircut. Unless you already have very short hair, everyone WILL be given haircuts and will be paid $20 for the haircut. Ladies, as long as your hair is natural you will be fine without haircuts.

Work Dates: TUESDAY 6/2/15, WEDNESDAY 6/3/15, THURSDAY 6/4/15, FRIDAY 6/5/15, MONDAY 6/22/15, TUESDAY 6/23/15 with a few possible additional dates still TBD. MUST be available on ALL dates – NO EXCEPTIONS!

We do not have call/wrap times so you would need to be fully 100% available on each work date. You MUST have open/flexible availability if submitting so that you can work WHATEVER the call times & wrap times end up being. If not, please DO NOT SUBMIT!

Pay rate for EXTRAS is $72.00 for 8 hours ($9.00/hour with a 8 hour guarantee). Overtime will be paid after 8 hours. You will receive a check in the mail usually 10-14 business days AFTER you work.

To be considered, email your submission ASAP to the following:

IDRcast@gmail.com

You MUST put "MOON BASE" in the subject line of your email. You MUST include first & last name and a valid contact number, and include two photos (1 closeup and 1 full body). The director will be hand picking these roles, so be sure to have photos that best portray the above roles.

All actors, extras, and crew members must be legally eligible to work in New Mexico and the United States. The 2015 New Mexico Actors Resource Guide eBook has the documents and information for adults, minors, and foreign talent who would like to work as an actor or extra on film productions in the State of New Mexico and the United States:

• New Mexico Work Permit Requirements
• New Mexico Child Employment Entertainment Law Sheet
• New Mexico Child Labor Laws Brochure
• New Mexico Child Performer Pre-Authorization Certificate
• New Mexico Child Extras Pre-Authorization Certificate
• New Mexico Minor Trust Deduction Guidelines
• USA Child Actor Work Permit Requirements
• Immigration Work Permit Information
• Non-Immigrant Visa Application

In addition to the following New Mexico Actors Resources:

• New Mexico Casting Directors List
• New Mexico Extras Casting Directors List
• New Mexico Talent Agents List
• General Talent Agent Information
• New Mexico Acting Classes and Schools List
• Summer Performing Arts Camps
• New Mexico Headshot Photographers List
• Audition Tips
• How To Make an Audition Video
• Sample Actors Resume
• Sample Beginning Actors Resume
• Sample Cover Letters
• Entertainment Industry Terminology
• Miscellaneous New Mexico Actors Resources
• PDF Users Guides

All Actors Resource Guide eBooks are available here.

Principal Actor Casting for Speaking Roles

Starring and supporting roles are mainly being cast through talent agents in Los Angeles and Albuquerque. You can find comprehensive listings and submission addresses for talent agents here. However, if you are not signed with an agent and wish to self-submit, I highly recommend that your 8x10 color headshot and resume along with the cover letter be sent in a 9 x 12 Clear Full Face Window Envelope with the photo visible in the window.

Click Here to purchase 9 x 12 Clear Full Face Window Envelopes.

Click Here to purchase the best resume and cover letter paper.

Film Crew Members

Experienced film crew members can submit resumes to the following:

idrnewmexico@gmail.com

ABSOLUTELY NO ACTOR OR EXTRAS SUBMISSIONS TO THIS EMAIL ADDRESS, THEY WILL BE DISCARDED.

Production Companies:

Do NOT send photos and resumes to the production companies, as they will most likely end up being thrown away. They do not cast the films, rather they hire casting directors who sort through the thousands of submissions.

Independence Day Forever Production Office
5650 University Blvd. SE
Building C, First Floor
Albuquerque, NM 87106

Electric Entertainment
940 N. Highland Avenue
Suite A
Los Angeles, CA 90038

Centropolis Entertainment
1445 N. Stanley Avenue
3rd Floor
Los Angeles, CA 90046

Twentieth Centuryt Fox Film Corporation
10201 W. Pico Blvd.
Los Angeles, CA 90035

Executive Producer:

Ute Emmerich

Producers:

Dean Devlin
Harald Kloser
Roland Emmerich

Line Producer:

Larry Franco

Production Manager:

Carsten Lorenz

Director:

Roland Emmerich

Writers:

James Vanderbilt
Carter Blanchard

Starring:

Liam Hemsworth - Actor
Jessie Usher – Dylan Dubrow
Jeff Goldblum – David Levinson
Bill Pullman - Thomas Whitmore

Story:

Independence Day Forever: Part One takes place 20 years after the first event, and centers on the return of the alien invaders.

Casting call in Chicago for indie film 'Unexpected'

The independent film Unexpected has sent out a casting call in Chicago seeking people who want to work on the film as extras.

The casting director is seeking Chicago area people to work tomorrow (September 10, 2014) and this weekend (September 13 & 14, 2014). They will also be casting additional days through the first week of October, 2014. The film has a wonderful storyline and an extremely talented cast of actors.

All ages and types are needed including adults, seniors, teens, children and babies, however all talent must have the correct work permits and legal eligibility to work in the state of Illinois. Information on obtaining all of the correct work permits can be found in the Chicago Actors Resource Guide eBook available for download here.

Minors must be able to get registered with the production's casting department and have a minor work permit submitted.

The following is needed:

[GENERAL EXTRAS/FEATURED BACKGROUND ACTORS] Males and Females, ages from newborn babies through 70 years of age. No experience is necessary, and there are no fees whatsoever to be cast in the film.

There are both paid and also "volunteer" spots for extras since there will be some extras only needed for 2-4 hours on some scenes and since this is not a huge budget, production is using volunteers for some scenes and then they will of course book the same people if at all possible on another scene that is paid. If you are only interested in the paid days, please let them know in your email submission.

Regardless of whether or not you work on the paid days only, this will be a wonderful and super-fun film to be a part of.

Submission Details:

Please send 2 clear current color snapshots (only you in the photo, no hats or sunglasses). One should be from the waist up, the other should be a full body shot.Please do not submit professional photos unless you also include the 2 current color snapshots also. In your submission, include all stats including height, weight, clothing sizes. Also include all contact information including cell phone.

Submit asap to extrascasting@gmail.com and put in subject line "unexpected"

Major feature film 'Ride Along 2' open casting call scheduled for June 27, 2014

Universal Pictures feature film Ride Along 2 will hold an open casting call this Friday in the Miami, Florida area.

RA2 Productions and Will Packer Productions in association with Rainforest Films and MBST Entertainment will begin production in July on the Universal Pictures comedy feature film Ride Along 2. The casting team has scheduled an open casting call seeking people of all ages and types to appear in the film as paid background extras. In addition to the extras, experienced film crew members can submit resumes to the production. Details posted below.

Ride Along 2 is the sequel to Ride Along, which was released on January 17, 2014. Ride Along was produced on a $25 million budget, and grossed over $153 million at the box office. Ride Along 2 centers on Ben and James, who head to Miami on a case that involves the slick and wicked Serge Pope. While in Miami, they team up with Maya, a smart and beautiful Miami Police Department Detective. Ben is excited about proving himself to be the best detective ever and hoping all goes smoothly so he can make it back to Atlanta in time for his wedding.

Starring in Ride Along 2 is two-time Image Awards winner Kevin Hart returning as Ben Barber, and Chicago Film Critics Association Awards winner Ice Cube reprising his role as James Payton. Also returning is Image Awards nominee Tika Sumpter as Angela Payton. Three-time Black Reel Awards nominee Tim Story will again direct from an original screenplay by Santa Barbara International Film Festival Audience Choice Award winners Phil Hay and Matt Manfredi. Producers are Matt Alvarez, Larry Brezner, Ice Cube, and William Packer. Nicolas Stern will executive produce. Universal Pictures will handle domestic distribution. Ride Along 2 is scheduled to hit theaters on January 15, 2016.

Ride Along 2 Open Casting Call Details

Marinella Hume Casting will be holding an open casting call in Miami, Florida on Friday June 27, 2014. They are seeking all types of people to work as fully paid extras, and no experience is necessary. There are no fees whatsoever to attend the open casting call or to be cast in the film.

Where:

Hollywood Rotary Club
2349 Taylor Street
Hollywood, FL 33020

When:

Friday June 27, 2014
1:00pm - 7:00pm

If you are unable to attend the open casting call, but are able to make yourself available to work in the Miami area, you can submit to the following:

RA2MHC@gmail.com

You MUST include the following:

Full Name
Age
Location
Contact Information (including phone number and email address)
Three Recent Color Snapshots, Headshot, Waist Up, and Full Length (no hats, no sunglasses, no side shots)

All talent must be legally eligible to work in the state of Florida and in the United States.

The 2014 Miami Resource Guide eBook includes the information and documents for adults, minors, and foreign talent who would like to work as an actor or extra on film and television productions in Miami and the United States:

• Links for Child Labor Information
• Florida Child Labor Laws
• Employment of Minors by the Entertainment Industry
• USA Child Actor Work Permit Requirements
• USA Immigration Work Permits and Visas
• Non-Immigrant USA Visa Application

In addition to the following Miami Actors Resources:

• Miami Casting Directors List
• Miami Extras Casting Directors List
• South Florida Talent Agents
• Florida Talent and Modeling Agency Information
• General Talent Agent Information
• Miami Acting Schools and Classes List
• Miami Headshot Photographers List
• Miami Performers Unions
• Miscellaneous Miami Resources
• Miami Sound Stages
• Audition Tips
• How To Make an Audition Video
• Sample Actors Resume
• Sample Beginning Actors Resume
• Sample Casting Director and Talent Agents Cover Letters
• Entertainment Industry Terminology
• PDF Users Guides

All 2014 Miami Actors Resource Guide eBook are available here.

Principal Actor Casting

See the post titled Headshot and Resume Information regarding how to submit for acting roles.

Submit photos and resumes by mail only.
No phone calls or personal drop-offs.

Felicia Fasano Casting
3000 W. Alameda Avenue
California Bldg.
Suite 5367
Burbank, CA 91505

NOTE:

It is highly recommended that your 8x10 color headshot and resume along with the cover letter be sent in a 9 x 12 Clear Full Face Window Envelope with the photo visible in the window.

Click Here to purchase 9 x 12 Clear Full Face Window Envelopes.

Click Here to purchase the best resume and cover letter paper.

The casting directors address should be written in all capital letters on the solid side of the envelope, with the name of the project you are submitting for written directly above the casting directors name. IF the role that you are submitting for is available, it should also be written above the casting directors name.

Example:

"Project Name"
"Role of _______"
CASTING DIRECTOR NAME
CASTING DIRECTOR ADDRESS
CASTING DIRECTOR CITY, STATE, ZIP CODE

Crew Members

Miami:

Experienced film crew members and production staff located in South Florida can email resumes to:

ra2productionresumes@gmail.com

In the subject line of your email, please indicate that it is a Crew resume and the department you are seeking to work in. For example, "Crew – Camera Department". Also make sure to state your location in the body of your email.

ABSOLUTELY NO ACTOR OR EXTRAS SUBMISSIONS TO THIS EMAIL ADDRESS (OR POSTAL ADDRESS), THEY WILL BE DISCARDED.

Production Companies:

Do NOT send photos and resumes to the production companies, as they will most likely end up being thrown away. They do not cast the films, rather they hire casting directors who sort through the thousands of submissions.

RA2 Productions
166 16th Street NW
Atlanta, GA 30363

Will Packer Productions
6525 West Sunset Blvd.
Los Angeles, CA 90028

Rainforest Films
323A Edgewood Ave.
Atlanta, GA 30312

MBST Entertainment, Inc.
345 N. Maple Drive
Suite 200
Beverly Hills, CA 90210

Universal Pictures
100 Universal City Plaza
Universal City, CA 91608

Producers:

Will Packer
Matt Alvarez
Larry Brezner

Director:

Tim Story

Starring:

Kevin Hart – Ben Barber
Ice Cube – James Payton
Tika Sumpter – Angela Payton

Story:

Ben and James head to Miami to deal with a dangerous criminal....

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The aim of this blog is to help people who are interested in working as a union or non-union extra. I hope the information on this page can help you achieve your goal of working as a background actor in Film and Television. I post this information absolutely free of charge, and try to verify all details as much as possible. I hope my websites continue to help talent obtain employment in the entertainment industry.

Note: All content on third-party advertisers' websites is the sole responsibility of the respective website publisher(s)/owner(s).

What is a Background Actor?

A "Background Actor" or "Extra" is a performer in a film, television show, stage, musical, opera or ballet production, who appears in a nonspeaking, non-singing or non-dancing capacity, usually in the background.

War films and epic films often employ background actors in large numbers. Some films have featured hundreds or even thousands of paid background actors. Likewise, grand opera can involve many background actors appearing in spectacular productions.

On a film or television set, background actors are usually referred to as "Background Performers", "Background Artists" or simply "Background," while the term "Extra" is rarely used.

In a stage production, background actors are commonly referred to as "Supernumeraries". In opera and ballet, they are called either 'Extras' or 'Supers'.

SAG-AFTRA

The Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA) is an American labor union representing over 150,000 film and television principal and background performers worldwide. The current organization is the result of the March 30, 2012 merger of the Screen Actor's Guild and the American Federation of Television and Radio Artists.

According to the SAG-AFTRA Mission Statement, the union seeks to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members.

The Screen Actors Guild was founded in 1933 in an effort to eliminate exploitation of actors in Hollywood who were being forced into oppressive multi-year contracts with the major movie studios that did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion. These contracts were notorious for allowing the studios to dictate the public and private lives of the performers who signed them, and most did not have provisions to allow the performer to end the deal.

SAG-AFTRA is the primary performer's union in the United States. The union is affiliated with the AFL-CIO. SAG-AFTRA claims exclusive jurisdiction over motion picture as well as radio, television, Internet, and other new media. Internationally, SAG-AFTRA is affiliated with the International Federation of Actors.

How To Qualify For SAG-AFTRA Membership

A performer becomes eligible for SAG-AFTRA membership under one of the following two conditions:

1) Proof of Employment.

SAG-AFTRA membership is available to those who work in a position covered by a SAG-AFTRA (or AFTRA or SAG) collective bargaining agreement. Any person qualifying through work as a background actor must have completed three days of work as a background actor under a SAG-AFTRA (or AFTRA or SAG) collective bargaining agreement.

2) Employment Under an Affiliated Performers Union.

Performers may join SAG-AFTRA if the applicant is a paid-up member of an affiliated performers union (ACTRA, AEA, AGMA or AGVA) for a period of one year and has worked and been paid for at least once as a principal performer in that union’s jurisdiction.

All new members pay a one-time-only initiation fee, plus the first semiannual dues at the time of joining. The national initiation fee rate is currently $3000.00 (initiation fees may be lower in some states). Annual Base dues are $198.00. In addition, work dues are calculated at 1.575 percent of covered earnings up to $500,000.

Once you are a member, you must abide by the rules of membership, starting with Global Rule One and the No Contract/No Work Rule. And, whether you are a SAG-AFTRA member or not - NEVER accept work during a Union strike!

Becoming a SAG-AFTRA member is a very important milestone for every working professional talent in the entertainment industry. But you should not be in a rush to join unless you are absolutely certain that you are ready to compete for professional performing jobs. For actors, you should prepare yourself by studying acting and improv, doing live theatre, and perform in non-union on-camera productions in order to build your resume and gain extremely valuable experience.

How do I get three SAG-AFTRA background vouchers?

Excellent question; there truly isn’t a simple answer. The best way is to work as a non-union background actor as often as possible and do a great job, showing up on time and bringing the proper wardrobe.

Occasionally there will be an immediate need for a certain look or ability on the set and if you are in the right place at the right time you will be offered a SAG-AFTRA voucher. Sporadically a casting director will offer you a SAG-AFTRA voucher if they are unable to locate a SAG member who fits the requirements of the production company.

Demo Reel Information

An actors demo reel (or "demo tape") is a short compilation of clips from professional acting work on films, commercials, and television shows. It is usually no more than a few minutes in length.

A demo reel IS NOT the same as an "Audition Video". An Audition Video IS a homemade video that you make when casting directors are accepting audition video submissions.

It is NOT necessary to send in a demo reel when submitting for extra roles. Only submit a demo reel if the casting directors request it, or through an agent.

Extras Calling Services

There are companies that are termed "Calling Services" or "Booking Services" that charge fee(s) to obtain extra work for you. These Calling Services are not contracted by production companies as Casting Directors are, rather they are independent services that work for the individual extras that sign up for their service. The fee is usually on a monthly basis, however some use a per-job-booked fee structure also.

Most Extras Casting Directors use these calling services often, especially when they are casting large amounts of extras for a specific production. It is much easier and less time consuming to make one call to a Calling Service and tell them what they need than it is to call each and every extra individually.

Once an extra signs up for a Calling Service, they provide them with photos, clothing size forms, and contact information. Then it is simply a matter of letting the Calling Service know your availability. The booking service will submit their clients based on their availability to all of the extras Casting Directors, and the Casting Directors can book as many or as few of these extras and give the booking service the call times, wardrobe requirements, shooting location, etc., to forward along to their clients. It is then the responsibility of the Calling Service to provide the details to their extras and confirm the booking.

Extras who do not use a Calling Service must constantly call recorded casting lines that the extras casting directors set up, and then call a separate number if they fit exactly what is on the recorded line. The competition to get work this way is extremely fierce. It is a generally accepted reality that extras who use respected and legitimate Calling Services are booked far more frequently than those who try to do their own booking.

The fees that Calling Services charge range from around $45 - $75 per month depending on your union status, age, and the number of days that you are booked during the month. There also may be an initial registration fee that can be as low as $20 to over $100 if they require a first month fee and last month fee in addition to the registration fee.

Should I Do Extra Work For Acting Experience?

I personally feel that if a person does not have experience, doing extra work is a fantastic way to get used to being on a film or TV set. It gives you an idea of how things work and allows you to become comfortable on a set without risking "burning bridges" if you get nervous and a little stage fright.

I myself did extra work in the beginning of my career and it helped me tremendously. I had terrible stage fright, but I became very comfortable after doing background work for a while.

So the answer is yes, doing extra work will help you. It doesn't pay a whole lot, but the experience you get is valuable.

Acting is like any other job, the more training and experience a person has, the better chance of getting the job. But at the same time, we all have to start somewhere!

Types of Background Actors

General Background: Person of atmospheric business which includes the normal actions, gestures and facial expressions of the Background Actor’s assignment.

Special Ability: Background Actor specifically called and assigned to perform work requiring special skills such as tennis, golf, choreographed social dancing (including square dancing), swimming, skating, riding animals, driving livestock, non-professional singing (in groups of 16 or less), mouthing to playback in groups of 16 or less, professional or organized athletic sports (including officiating and running), amputees, driving which requires a special skill and a special license (such as truck driving but not cab driving), motorcycle driving, insert work, and practical card dealing.

Stand-In: Background Actor used as a substitute for another actor for purposes of focusing shots, setting lights, etc., but is not actually photographed. Stand-Ins may also be used as general background.

Photographic Double: Background Actor who is actually photographed as a substitute for another actor. A General Background Actor who is required to do photographic doubling shall receive the Special Ability rate.

Day Performer: A Performer who delivers a speech or a line of dialogue. A Background Actor must be upgraded to a Day Performer if directed to speak, except in the case of “omnies”.

Omnies: Any speech sounds used as general background noise rather than for its meaning. Atmospheric words such as indistinguishable background chatter in a party or restaurant scene.

Advice for Child Actors

1. Have fun and enjoy every performance.

2. Learn as much as possible from the professionals you work with.

3. Get your rest, and drink plenty of water!

4. Be respectful and do what you are asked to do to make the child wrangler's job easy.

5. Remember you are there to do a job.

6. Share the experience with your friends and family.

7. Visit as many places as you can.

8. Be thankful for the opportunity.

9. Use your down time to keep up with schoolwork.

10. Laugh, Laugh, Laugh.

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